Gyorgy Kepes' "Language of Vision" provides a framework for understanding the principles of "plastic design," which I have applied to my algorithmic art practice for five decades. The artwork is organized according to the concept of "fractions of the whole," where the picture plane is divided into a random number of integer units, creating a tessellation of varying sizes. This process is repeated within each subdivided area, resulting in a complex and intricate pattern. Four distinct "spatial forces" are randomly positioned within the smaller tiles, each with its unique color palette and variations. The resulting surface textures evoke the shimmering gold tones of Gustav Klimt's paintings, a deliberate homage to the Austrian symbolist painter.

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